{"id":889,"date":"2023-03-07T21:19:58","date_gmt":"2023-03-07T20:19:58","guid":{"rendered":"https:\/\/amscibor-dance.com\/?page_id=889"},"modified":"2026-02-23T18:43:26","modified_gmt":"2026-02-23T17:43:26","slug":"aleksandra","status":"publish","type":"page","link":"https:\/\/callingyoubackhome.com\/pl\/aleksandra\/","title":{"rendered":"Aleksandra"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jestem Ta\u0144cem<\/em><\/strong><\/p>

Jestem S\u0142o\u0144cem<\/em><\/strong><\/p>

Duchem<\/em><\/strong>
Lasem<\/em><\/strong>
Oceanem<\/em><\/strong><\/p>

Ta\u0144cz\u0119 Zapach<\/em><\/strong>
Ta\u0144cz\u0119 Smak<\/em><\/strong>
Ta\u0144cz\u0119 Wod\u0119<\/em><\/strong>
i Powietrze<\/em><\/strong><\/p>

R\u00f3\u017ce ta\u0144cz\u0119<\/em><\/strong><\/p>

Tam<\/em><\/strong>
I tu<\/em><\/strong>
Tu i tam<\/em><\/strong>
TuTam<\/em><\/strong><\/p>

Teraz<\/em><\/strong><\/p>

Ciebie ta\u0144cz\u0119
<\/em>Siebie\u00a0<\/em><\/strong><\/p>

Patrz !\u00a0<\/em>
<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I travel back into the Source WON<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Uciele\u015bniam_Staj\u0119 si\u0119_JesteMy Nie(Widzialnym)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bardziej<\/em><\/strong><\/p>

Bardziej i bardziej<\/em><\/strong><\/p>

Zawsze bardziej<\/em><\/strong><\/p>

Zawsze wi\u0119cej<\/i><\/strong><\/p>

Zawsze jeszcze <\/em><\/strong><\/p>

Jeszcze bardziej<\/em><\/strong><\/p>

Jeszcze wi\u0119cej<\/em><\/strong><\/p>

Wi\u0119cej bardziej<\/em><\/strong><\/p>

Bardziej wi\u0119cej<\/em><\/strong><\/p>

Jeszcze wi\u0119cej<\/em><\/strong><\/p>

Jeszcze bardziej<\/em><\/strong><\/p>

Jeszcze raz<\/em><\/strong><\/p>

Bardziej wi\u0119cej jeszcze<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ever(Y)land<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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TRUTHING<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A Dolphin I AM<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DANCE BY MY GRAVE<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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w Wolno\u015bci_z Wolno\u015bci\u0105_poprzez Wolno\u015b\u0107<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WONOW<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Zawsze wiedzia\u0142am, \u017ce wiem co\u015b bardzo wa\u017cnego, jednak nie potrafi\u0142am tego nazwa\u0107.
Dwa dni przed \u015amierci\u0105 Bu\u015bki, mojej ukochanej Babci, przypomnia\u0142am sobie o tym, co wiem.
3 czerwca 2017 roku le\u017c\u0105c pod drzewem na trawie w Niemczech mam sen.<\/span><\/p>

Ubrana w bia\u0142\u0105 bluzk\u0119 i czerwon\u0105 sp\u00f3dnic\u0119 stoj\u0119 przy trumnie, w kt\u00f3rej le\u017cy Bu\u015bka.
Ta trumna wykonana jest z bardzo jasnego, prawie bia\u0142ego, surowego drewna.
Bu\u015bka le\u017cy z zamkni\u0119tymi oczami i d\u0142o\u0144mi z\u0142o\u017conymi na piersiach.
Jej cia\u0142o jest lekkie i swobodne, twarz mi\u0142a i \u0142agodna.
Zewsz\u0105d otoczona jest \u015bwiat\u0142em, ciep\u0142ym, mlecznym, bardzo jasnym \u015bwiat\u0142em.
To \u015bwiat\u0142o jest bardzo jasne, prawie za jasne, bia\u0142e.
<\/i><\/span>Bia\u0142e \u015bwiat\u0142o jest wsz\u0119dzie.<\/i><\/span><\/p>

Moi najbli\u017csi s\u0105 ze mn\u0105.
Nie widz\u0119 ich, ale wiem, \u017ce s\u0105.
Razem czcimy ten czas.
Jestem w B\u0142ogo\u015bci, w Pokoju, w Rado\u015bci.<\/i><\/span><\/p>

Budz\u0119 si\u0119 ze snu, siadam po turecku, zamykam oczy i towarzysz\u0119 Bu\u015bce w jej podr\u00f3\u017cy poprzez \u015amier\u0107.<\/span><\/p>

Nast\u0119pnego ranka dzwoni\u0119 do Rodzic\u00f3w w Polsce i dowiaduj\u0119 si\u0119, \u017ce Bu\u015bka mia\u0142a zawa\u0142,
jest w szpitalu i za 2 dni rozpocznie rehabilitacj\u0119.
Dzwoni\u0119 do Bu\u015bki.
W s\u0142uchawce telefonu czuj\u0119, \u017ce ona jest bardzo daleko.
Odpoczywaj Busiu. Odpoczywaj teraz.<\/i>
Nie wiem czy mnie s\u0142yszy.
Wiem, \u017ce jest ju\u017c bardzo daleko.
Jestem spokojna. <\/span><\/p>

Tego wieczoru ta\u0144cz\u0119 dla Bu\u015bki.
Ku Twojej rado\u015bci i na Twoj\u0105 cze\u015b\u0107 Busiu!<\/i><\/span><\/p>

Po p\u00f3\u0142nocy dowiaduj\u0119 si\u0119, \u017ce Bu\u015bka umar\u0142a.
Jestem w Pokoju.
Jestem w B\u0142ogo\u015bci. <\/span><\/p>

Jeszcze raz \u017cegnam Bu\u015bk\u0119.
\u017byj Busiu! \u017byj TERAZ<\/i>, m\u00f3wi\u0119 poprzez \u0142zy. <\/span><\/p>

Gdy budz\u0119 si\u0119 nast\u0119pnego ranka, s\u0142ysz\u0119 \u015bpiew ptak\u00f3w i bicie mojego serca.<\/span><\/p>

Jestem w Pokoju, w B\u0142ogo\u015bci, w Rado\u015bci.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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There is nothing to fear.<\/i><\/strong><\/p>

There is nothing to fear my Beloved.<\/i><\/strong><\/p>

You are loved.\u00a0<\/i><\/strong><\/p>

Beyond everything. Beneath everything.\u00a0<\/i><\/strong><\/p>

In between all that is you are loved.<\/i><\/strong><\/p>

Absolutely and totally.\u00a0<\/i><\/strong><\/p>

You are loved fully and freely.\u00a0<\/i><\/strong><\/p>

You are forever within the expanding source of love.\u00a0<\/i><\/strong><\/p>

You are where I am.<\/i><\/strong><\/p>

I am where you are.\u00a0<\/i><\/strong><\/p>

Feel love.<\/i><\/strong><\/p>

Feel your source.<\/i><\/strong><\/p>

Feel your source within your breath.<\/i><\/strong><\/p>

Here I AM<\/i><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NOWON<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ever(Y)land of Whiteness<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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From Within The Worlds In Between<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An Open Collection Created Within Spirit<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wieczna NieWi(a)Doma<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mam na imi\u0119 Doma. Moje oko jest wewn\u0105trz. W ciemno\u015bci widz\u0119 bardziej wi\u0119cej jeszcze.<\/i><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ola, co-creating with you for me was and still is a continuing journey. A journey because it constantly throws me into a realm of the unexpected, not knowing. To some degree this is also the essence of the learning I took from being with you: practicing to integrate the \u201enot-knowing\u201c into the practice itself. I don\u2019t know if you remember but after our first stream of \u201eCreA(C)TIONing the WON\u201c you said you\u2019re missing the \u201eUS\u201c in the creation. At that point I realized that I was in a way constantly trying to deliberately \u201eexclude\u201c this US \u2013 how I perceived it \u2013 from the creation and it gave me some relief when I realised that it wasn\u2019t necessary at all. This moment for me felt like the coming up after a dive, the head breaks through the surface of the water and you take this first powerful, deep and longing breath. You shake your head and look around, taking note of the whole new environment. Everything changes, the way you hear, the way you see and the way you move. You remember how it was being under water, how it felt and how you were. You realise that you\u2019d have never been able to foresee how it is to be above the surface because you didn\u2019t know there was a surface until you broke through it. You realise that you broke through the surface almost via accident. Something brought you here. It wasn\u2019t you. And yet it was you. A great freedom arises. A joy. A realization of how things really are. Gratefulness. Maybe some glimpse of bliss.<\/em><\/p>

Although, this breaking through the surface was stretched over a longer period of time as it was happening in the time- space dimension.<\/em>
So, by now I think that with the end of “CreaA(C)TIONing the WON” something crucial changed for me. It appears to\u00a0<\/em>me like the coming-to-an-end of a cycle, like the death and new-birth of something. Like revealing and disappearing in a single moment.<\/em><\/p>

When I think about it now it seems to me that during all our other creations I was kind of still under-water, diving deeper and deeper, discovering all these hidden, dark, beautiful, scary, and mystical places. Getting in touch with many vulnerable sides of my being. And all this took place in a very sensitive, yet very conscious space that was provided by you. For me. At least, this is how it felt for me. I kind of relied onto you knowing, sensing, being capable of getting in touch with all these different states of mine. Right know it comes to me, that this might be because you were capable of all these different states of yourself, within yourself. I do not know, and it may not be of great importance now but what I\u2019m trying to say is that I was primarily learning from you. And some part of me knew that what I was learning was of great importance and I was supposed to learn it. Just like I was supposed to break through the surface though I never knew there was a surface until I found myself above.<\/em><\/p>

So, if I am trying to think of what mainly has changed since my breakthrough it comes to me a greater sense of self- awareness and also self-consciousness. Because the uncomprising and powerful way in which you were following your way of being and creating inspired me to trust into what was happening. This trust was based on my again-and-again experiencing you as the most integer person I have ever met so far. And this becomes even more meaningful as it is through you also that I have experienced many aspects of being that are beyond the person. So it is this combination of a grounded person that is open for the non-personal that provided me with trust that was beyond any doubt because it was beyond mind, beyond the person and something in me intuitively resonated with that. So my person was able to let\u00a0<\/em>go, more and more, step by step, little by little.<\/em><\/p>

So maybe this is another part of the essence of how I experience co-creating with you, a constant letting-go.<\/em><\/p>

When I now think of the creations themselves they seem very strange to me in some way. What makes them meaningful to me is my own path of co-creating with you and all these experiences I mentioned before. They are all in these creations. When I think of it now it also comes that watching or listening to them usually puts me in a state of higher vibration. This is how I experience it. My body is soothing, relaxing and vibrating, maybe tingling at the same time. I become very calm but also very open and sensitive. So it is also a very intimate experience for me which also makes it\u00a0<\/em>kind of challenging. Right now I think that this is also a reason why I rarely watch or listen to them. There’s always something inside of me trying to avoid this experience. Though, it is very pleasurable everytime.<\/em><\/p><\/div><\/div><\/div>

When I\u2019m thinking of the aspect of sound and being an instrumentalist in this setting it appears to me that on the one hand this was not so relevant at all. On the other hand these experiences shaped my understanding of being an artist and thus also an instrumentalist. Right now I think that it was about bringing together two different aspects of the same: the aspect of being in a space of not-knowing, infinite beyond-person being and the very concrete, almost infinetesimal\u00a0<\/em>small aspect of hitting something, making a sound, moving, shaping the physical world.<\/em><\/p>

In the first aspect it may happen that this infinity becomes so vast, so overwhelming that it may appear absolutely meaningless to do anything at all. It takes away every meaning which may cause something like a crisis at some point. I can do anything. So why should I actually do anything at all?<\/em>
Letting this vast meaninglessness eat up everything and accompanying it with sound has changed my approach and\u00a0<\/em>view of being an artist because it rearranged my set of values.<\/em><\/p>

And now I would say that the most important value or rather insight is, that none of them two \u2013 the infinite nor the concrete \u2013 are of more or less importance than the other.<\/em><\/p>

They are both part of the same. The same ongoing I-dont-know what beautiful crazy something.<\/em><\/p>

Robert Fischer
Perkusista, Multi-Instrumentalista, Wsp\u00f3\u0142Tw\u00f3rca\u00a0<\/span>DANCE BY MY GRAVE, WONOW, CreA<\/i>(C)TIONingTheWON, StrangePeaceByGanga<\/em> i innych dzie\u0142<\/span>, Niemcy<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Having worked with Aleksandra on a few occasions, my experience of her movement and art is at once transformative, yet matter of fact. She embodies a clarity and richness that is compelling. Being thoroughly rooted and grounded in the human form, Aleksandra has the preternatural ability to transcend the mundane and evoke the images, impressions, and patterns that comprise a reality that parallels our own, but clearly encompasses more. \u00a0She is totally dedicated and committed to her art and its place in her life.<\/i><\/span>
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Ray Chung, Contact Improvisation Dancer and Teacher, USA<\/span><\/p>


Wsp\u00f3\u0142tworz\u0105c z Aleksandr\u0105 kilkakrotnie,\u00a0 <\/span>do\u015bwiadczy\u0142em jej ruchu, ta\u0144ca i sztuki jako transformuj\u0105ce i jednocze\u015bnie rzeczowe. Aleksandra uosabia jasno\u015b\u0107 i bogactwo, kt\u00f3re jest zniewalaj\u0105ce. Dok\u0142adnie zakorzeniona i uziemiona\u00a0
<\/i>w ludzkiej formie, posiada nadprzyrodzon\u0105 zdolno\u015b\u0107 do przekraczania przyziemno\u015bci i przywo\u0142ywania obraz\u00f3w, wra\u017ce\u0144 i wzorc\u00f3w, kt\u00f3re sk\u0142adaj\u0105 si\u0119 na rzeczywisto\u015b\u0107 podobn\u0105 do naszej, lecz obejmuj\u0105c\u0105 wyra\u017anie wi\u0119cej. Aleksandra jest ca\u0142kowicie oddana i zaanga\u017cowana w swoj\u0105 sztuk\u0119 i jej miejsce w jej \u017cyciu.<\/i><\/p>

Ray Chung, tancerz i nauczyciel Kontakt Improwizacji, USA<\/span><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Seeing Aleksandra dancing is deeply touching. All her body seems perfectly organised to receive and play with a mysterious flow.\u00a0Dancing with her is a great gift. It is like being lifted and anchored at the same time. Something largely expands in the perceptive field.\u00a0It is a precious experience of freedom and letting go.
It feels like a healing of the soul.<\/i><\/span>
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Aur\u00e9lie Delarue, Dancer, Choreographer, Body-Mind Centering\u00ae Practitioner, France<\/span><\/p>

Widok ta\u0144cz\u0105cej Aleksandry jest g\u0142\u0119boko poruszaj\u0105cy. Ca\u0142e jej cia\u0142o wydaje si\u0119 by\u0107 doskonale zorganizowane, by przyjmowa\u0107 i bawi\u0107 si\u0119 z tajemniczym przep\u0142ywem. Taniec z ni\u0105 jest wielkim darem. To jak bycie unoszonym
i zakotwiczanym jednocze\u015bnie. Co\u015b znacznie si\u0119 poszerza w polu percepcyjnym. Cenne do\u015bwiadczanie wolno\u015bci
i odpuszczania. Jakby uzdrawienie duszy. <\/i><\/span><\/p>

Aur\u00e9lie Delarue, tancerka, choreografka, praktyk Body-Mind Centering\u00ae, Francja\u00a0
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Aleksandra has an amazing energy and I love working with her. She is perceptive, intelligent and inspiring. She brings to the work a great enthusiasm and creative joy. Aleksandra is a marvellous asset to have in any situation: she is strong, hard working and a brilliant improvisor. I had a fantastic time working with her.\u00a0
<\/span><\/em>I highly recommend Aleksandra.<\/span><\/em><\/p>

Nigel Charnock, Choreographer, Director, Performer, Co-Founder of DV8 Physical Theatre, UK<\/span><\/p>

Aleksandra ma niesamowit\u0105 energi\u0119, uwielbiam z ni\u0105 pracowa\u0107. Jest spostrzegawcza, inteligentna i inspiruj\u0105ca. Wnosi do pracy wielki entuzjazm i tw\u00f3rcz\u0105 rado\u015b\u0107. Aleksandra jest wspania\u0142ym atutem w ka\u017cdej sytuacji:
jest silna, pracowita i \u015bwietnie improwizuje. Fantastycznie mi si\u0119 z ni\u0105 pracowa\u0142o. <\/em>
Gor\u0105co polecam Aleksandr\u0119.<\/em><\/p>

Nigel Charnock, choreograf, re\u017cyser, performer, wsp\u00f3\u0142za\u0142o\u017cyciel DV8 Physical Theatre, UK<\/p>

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Aleksandra has a fluid and very sensitive movement quality coupled with technical skills. Her dance dialogues with unformulated fields within and connects to the unknown. This ability to combine form and non-form can lead to a high level of artistic expression.<\/i><\/span><\/p>

Nadia Vadori-Gauthier, PhD, Performance Artist \u2013 Researcher and Teacher, France<\/span>
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Aleksandra ma p\u0142ynn\u0105 i bardzo wra\u017cliw\u0105 jako\u015b\u0107 ruchu po\u0142\u0105czon\u0105 z umiej\u0119tno\u015bciami technicznymi. Ta\u0144cz\u0105c komunikuje si\u0119 z<\/em> nieokre\u015blonymi polami wn\u0119trza i \u0142\u0105czy z nieznanym. Jej zdolno\u015b\u0107 scalania formy i nie-formy mo\u017ce owocowa\u0107 wysokim wyrazem artystycznym.<\/em><\/p>

dr Nadia Vadori-Gauthier, Artystka Performatywna \u2013 Badaczka i Pedago\u017cka, Francja<\/span><\/p>

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You have an articulation in your body — and what’s called permeability that I have rarely seen in that extreme. For me, it often felt as if I were able to precisely see what was going on in your mind, as it seemed always very close to your body and completely (well, to the extent that it is possible) expressed in your body…<\/i><\/span><\/p>

What you were doing in my eyes: I think you have read and learned about Tillion, I don’t know if a lot, but I think with a lot of care. And you took cues from Bert’s text and the way that your fellow performers reacted to it. And you did so very sensitively. I admit, if I’m right here, you’re probably more sensitive than I am and that means a lot. <\/i><\/span><\/p>

I believe, through this you got a very clear, but very intuitive grasp of the\u00a0spirit\u00a0of Germaine Tillion. The spirit is what is expressed in words and with images that we understand in words. The spirit is a structure that you had an intuitive grasp on — I believe. You were filling this structure with your soul that is expressed in your body. Thus, we could see Ola Scibor suffer, fight and triumph\u00a0in the way that Germaine Tillion did\u00a0as we can understand her. Your performance, when you are at your best, is very raw and very direct. It was exactly what was needed. You’re a great artist.<\/i><\/span><\/p>

Oliver Utis, Director of <\/span>Die Unverf\u00fcgbaren<\/i>, Germany<\/span><\/p>

Masz w ciele artykulacj\u0119, przenikalno\u015b\u0107, jak\u0105 rzadko widzia\u0142em na scenie do tego stopnia. Cz\u0119sto czu\u0142em jakbym dok\u0142adnie wiedzia\u0142 co dzieje si\u0119 w twoim umy\u015ble poniewa\u017c on zawsze zdawa\u0142 si\u0119 by\u0107 bardzo blisko z twoim cia\u0142em
i w pe\u0142ni (oczywi\u015bcie jak to tylko mo\u017cliwe)\u00a0<\/span>w twoim ciele si\u0119 wyra\u017ca\u0107\u2026<\/em><\/p>

Oliver Utis, re\u017cyser spektaklu Die Unverf\u00fcgbaren, <\/em>Niemcy<\/span><\/span><\/p>

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WeInfinityOnEarth<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WeInfinityOnEarth jest darem Mojego Serca, Serca Mojej \u015awiadomo\u015bci.\u00a0<\/b><\/p>

W Wolno\u015bci_z Wolno\u015bci\u0105_poprzez Wolno\u015b\u0107.\u00a0<\/b><\/p>

Dla Ciebie.<\/b><\/p>

Je\u015bli czujesz Nas w Twoim Sercu, w Sercu Twojej \u015awiadomo\u015bci,\u00a0<\/b><\/p>

i pragniesz przekaza\u0107 Mi dar finansowy,\u00a0 tu mo\u017cesz to zrobi\u0107.<\/a>\u00a0<\/b><\/p>

Dzi\u0119kuj\u0119 Ci<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Jestem Ta\u0144cem Jestem S\u0142o\u0144cem DuchemLasemOceanem Ta\u0144cz\u0119 ZapachTa\u0144cz\u0119 SmakTa\u0144cz\u0119 Wod\u0119i Powietrze R\u00f3\u017ce ta\u0144cz\u0119 TamI tuTu i tamTuTam Teraz Ciebie ta\u0144cz\u0119Siebie\u00a0 Patrz !\u00a0 I travel back into the Source WON Uciele\u015bniam_Staj\u0119 si\u0119_JesteMy Nie(Widzialnym) Bardziej Bardziej i bardziej Zawsze bardziej Zawsze wi\u0119cej Zawsze jeszcze Jeszcze bardziej Jeszcze wi\u0119cej Wi\u0119cej bardziej Bardziej wi\u0119cej Jeszcze wi\u0119cej Jeszcze bardziej Jeszcze raz […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-889","page","type-page","status-publish","hentry"],"yoast_head":"\nAleksandra - 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